41 x 19 in.

Note: 

The original design for these mirrors was published in 1750 by Matthias Lock, a London carver and cabinet maker, during which period his work reflected the extravagance and intricacy of the high rococo style. Thomas Johnson, an eighteenth century carver who was greatly influenced by Lock’s work, said of the latter:

"There were upwards of thirty men, amongst which was the famous Matthias Lock, a most excellent carver and reputed to be the best Ornament draughts-man in Europe. To this man I paid great attention, who feeling me emulous, took uncommon pains with me, as did two or three more of the best workmen. I took great delight in copying Lock's drawings; and now so much was my mind bent to improvement, that I accustomed myself to set up three nights in the week modeling, &c."

Some of Lock’s drawings may have been shop designs, whereas others might have been preparatory work for his first design book, Six Sconces, published just three months before Johnson joined the prominent carver James Whittle’s London shop, or for Six Tables, issued in 1746. Lock’s relationship with Johnson was apparently close, as the former interceded when Whittle fired the latter.

Johnson’s interaction with Matthias Lock suggests how sharing of information about carving technique and theory might have occurred. During his term in Whittle’s shop, Johnson copied Lock’s drawings and practiced modeling in the evenings. Copying designs and perfecting drawing skills were among the first steps required to become a carver, and designers like Lock and Johnson clearly encouraged that practice.

Lock published a drawing primer titled The Principles of Ornament or the Youth’s Guide to Drawing of Foliage (ca. 1746; reissued by Robert Sayer, ca. 1768), and Johnson began referring to himself as a “Drawing Master” by 1760. Both men probably spent as much time at the drawing table as at the carving bench, which would not have gone unnoticed by apprentices and journeymen who sought to imitate their masters.

Luke Beckerdite, Thomas Johnson, Hercules Courtenay, and the Dissemination of London Rococo Design, Chipstone Foundation. Original pen and ink design from Chipstone Foundation website, housed in the Victoria & Albert Museum; George Lock Collection.

Both in good, restored condition with very minor nicks and wear. Oxidation to the mirror plates and scattered old repairs. Previously fitted with two candle branches each. 

Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.